Extrair canais

As seguintes opções são descritas com o controle Decompor para camadas ativado

modelos de cor

RGB

If the RGB option is chosen, a gray level image is created with three layers (Red, Green and Blue), and two channels (Gray and Alpha).

This function is interesting when using the Threshold tool. You can also perform operations like cutting, pasting or moving selections in a single RGB channel. You can use an extracted grayscale layer as a selection or mask by saving it in a channel (select the whole or a part of the layer, then Select → Save to a channel ).

RGBA

If the RGBA option is chosen, an image is created similar to the RGB Decomposing with an additional Alpha layer filled with the transparency values of the source image. Fully transparent pixels are black and fully opaque pixels are white.

Alfa

This option extracts the image transparency stored in the Alpha channel in the Channel dialog in a separate image. The fully transparent pixels are Black the fully opaque pixels are white. The graytones are smooth transitions of the transparency in the source image.

HSV

This option decomposes image into three grayscale layers, one for Hue, one for Saturation and another for Value.

Although Hue is grayscale, it does represent hues. In color circle, white and black are starting and arrival points and are superimposed. They represent Red color at top of circle. Gray intermediate levels are corresponding to intermediate hues on circle: dark gray to orange, mid gray to green and light gray to magenta.

Saturação e Luminosidade: Branco representa Saturação máxima (cor pura) e luminosidade máxima (muito brilho). Preto é saturação mínima (preto e branco) e luminosidade mínima (preto).

HSL

Esta opção é similar ao HSV.Ao invés de Valor, a terceira camada contem o componenteLuminosidade (que é calculado de uma forma diferente do valor).

CMYK

This option decomposes an image into four grayscale layers, one for Yellow, one for Magenta, one for Cyan, and one for Black.

This option can be useful to transfer an image into printing software with CMYK capabilities.

LAB

This option decomposes image into three grayscale layers, layer “L” for Luminance, layer “A” for colors between green and red, layer “B” for colors between blue and yellow.

A decomposição pelo modelo de cor LAB é um modelo da família Luminosidade- Cor. Um canal é usado pra a Luminosidade enquanto outros dois canais são usados para Cores. O modelo LAB é usado pelo Photoshop.

LCH

This option decomposes image into three grayscale layers, layer “L” for Luminance, layer “C” for Chroma, and layer “H” for Hue.

The LCH Decomposing is a color model of the Luminance-Color family.

YCbCr ITU R470, YCbCr ITU R470 256, YCbCr ITU R709, YCbCr ITU R709 256

In GIMP there are four YCbCr decompositions with different values. Each option decomposes an image in three grayscale layers, a layer for Luminance and the other two layers for blueness and redness.

The YCbCr color model, also called YUV, is now used for digital video (initially for PAL analog video). It's based on the idea that the human eye is most sensitive to luminosity, next to colors. The YCbCr Decomposing uses a transformation matrix and the different options are different values recommended by ITU (International Telecommunication Union) applied to the matrix.

Decompor em camadas

If this option is checked, a new grayscale image is created, with each layer representing one of the channels of the selected mode. If this option is unchecked, every channel is represented in its own image and clearly named in the name bar.

Cor de frente como cor de registro

Exemplo 16.1. Marcas de corte

Imagem de origem

Componente Ciano

Componente Preto

(Componentes Magenta e Amarelo omitidos.)

Esta opção é para especialistas. Está relacionada com a impressão em CMYK, com o uso de chapas separadas. Quando selecionada, cada pixel da cor de frente atual será preto em cada componente das imagens ou camadas decompostas. Isto permite que você faça as marcas de corte e registro serem visíveis em todos os canais, proporcionando assim uma referência útil para o alinhamento. Uma fina cruz impressa em preto, também pode ser usada para verificar se as pranchas de impressão estão alinhadas.