术语表

An Alpha value indicates the transparency of a pixel. Besides its Red, Green and Blue values, a pixel has an alpha value. The smaller the alpha value of a pixel, the more visible the colors below it. A pixel with an alpha value of 0 is completely transparent. A pixel with an alpha value of 255 is fully opaque.

With some image file formats, you can only specify that a pixel is completely transparent or completely opaque. Other file formats allow a variable level of transparency.

An alpha channel of a layer is a grayscale image of the same size as the layer representing its transparency. For each pixel the gray level (a value between 0 and 255) represents the pixels's Alpha value. An alpha channel can make areas of the layer to appear partially transparent. That's why the background layer has no alpha channel by default.

The image alpha channel, which is displayed in the channels dialog, can be considered as the alpha channel of the final layer when all layers have been merged.

See also Example for Alpha channel.

A spline is a curve which is defined mathematically and has a set of control points. A Bézier spline is a cubic spline which has four control points, where the first and last control points (knots or anchors) are the endpoints of the curve and the inner two control points (handles) determine the direction of the curve at the endpoints.

In the non-mathematical sense, a spline is a flexible strip of wood or metal used for drawing curves. Using this type of spline for drawing curves dates back to shipbuilding, where weights were hung on splines to bend them. The outer control points of a Bézier spline are similar to the places where the splines are fastened down and the inner control points are where weights are attached to modify the curve.

Bézier splines are only one way of mathematically representing curves. They were developed in the 1960s by Pierre Bézier, who worked for Renault.

Bézier curves are used in GIMP as component parts of Paths.

The image above shows a Bézier curve. Points P0 and P3 are points on the Path, which are created by clicking with the mouse. Points P1 and P2 are handles, which are automatically created by GIMP when you stretch the line.

BMP 是 Microsoft 设计的一种未压缩图像 文件格式，多被用在 Windows 操作系统上。尽管格式上支持更多位数，也通常使用1，4或8位表示色彩。因为它没有压缩导致文件体积庞大，不适用于 Internet 应用。

CMYK is a color model which has components for Cyan, Magenta, Yellow and Black. It is a subtractive color model, and that fact is important when an image is printed. It is complementary to the RGB color model.

The values of the individual colors vary between 0% and 100%, where 0% corresponds to an unprinted color, and 100% corresponds to a completely printed area of color. Colors are formed by mixing the three basic colors.

The last of these values, K (Black), doesn't contribute to the color, but merely serves to darken the other colors. The letter K is used for Black to prevent confusion, since B usually stands for Blue.

图 1059. Subtractive color model

GIMP does not currently support the CMYK model. (An experimental plug-in providing rudimentary CMYK support can be found [PLUGIN-SEPARATE].)

This is the mode used in printing. These are the colors in the ink cartridges in your printer. It is the mode used in painting and in all the objects around us, where light is reflected, not emmitted. Objects absorb part of the light waves and we see only the reflected part. Note that the cones in our eyes see this reflected light in RGB mode. An object appears Red because Green and Blue have been absorbed. Since the combination of Green and Blue is Cyan, Cyan is absorbed when you add Red. Conversely, if you add Cyan, its complementary color, Red, is absorbed. This system is subtractive. If you add Yellow, you decrease Blue, and if you add Magenta, you decrease Green.

It would be logical to think that by mixing Cyan, Magenta and Yellow, you would subtract Red, Green and Blue, and the eye would see no light at all, that is, Black. But the question is more complex. In fact, you would see a dark brown. That is why this mode also has a Black value, and why your printer has a Black cartridge. It is less expensive that way. The printer doesn't have to mix the other three colors to create an imperfect Black, it just has to add Black.

Exchangeable image file format (official abbreviation Exif, not EXIF) is a specification for the image file format used by digital cameras. It was created by the Japan Electronic Industry Development Association (JEIDA). The specification uses the existing JPEG, TIFF Rev. 6.0, and RIFF WAVE file formats, with the addition of specific metadata tags. It is not supported in JPEG 2000 or PNG. Version 2.1 of the specification is dated June 12, 1998 and version 2.2 is dated April 2002. The Exif tag structure is taken from that of TIFF files. There is a large overlap between the tags defined in the TIFF, Exif, TIFF/EP and DCF standards [WKPD-EXIF].

Floyd-Steinberg dithering is a method of dithering which was first published in 1976 by Robert W. Floyd and Louis Steinberg. The dithering process begins in the upper left corner of the image. For each pixel, the closest available color in the palette is chosen and the difference between that color and the original color is computed in each RGB channel. Then specific fractions of these differences are dispersed among several adjacent pixels which haven't yet been visited (below and to the right of the original pixel). Because of the order of processing, the procedure can be done in a single pass over the image.

When you convert an image to Indexed mode, you can choose between two variants of Floyd-Steinberg dithering.

GIF™ stands for Graphics Interchange Format. It is a file format with good, lossless compression for images with low color depth (up to 256 different colors per image). Since GIF was developed, a new format called Portable Network Graphics (PNG) has been developed, which is better than GIF in all respects, with the exception of animations and some rarely-used features.

GIF was introduced by CompuServe in 1987. It became popular mostly because of its efficient, LZW compression. The size of the image files required clearly less disk space than other usual graphics formats of the time, such as PCX or MacPaint. Even large images could be transmitted in a reasonable time, even with slow modems. In addition, the open licensing policy of CompuServe made it possible for any programmer to implement the GIF format for his own applications free of charge, as long as the CompuServe copyright notice was attached to them.

Colors in GIF are stored in a color table which can hold up to 256 different entries, chosen from 16.7 million different color values. When the image format was introduced, this was not a much of a limitation, since only a few people had hardware which could display more colors than that. For typical drawings, cartoons, black-and-white photographs and similar uses, 256 colors are quite sufficient as a rule, even today. For more complex images, such as color photographs, however, a huge loss of quality is apparent, which is why the format is not considered to be suitable for those purposes.

One color entry in the palette can be defined to be transparent. With transparency, the GIF image can look like it is non-rectangular in shape. However, semi-transparency, as in PNG, is not possible. A pixel can only be either entirely visible or completely transparent.

The first version of GIF was 87a. In 1989, CompuServe published an expanded version, called 89a. Among other things, this made it possible to save several images in one GIF file, which is especially used for simple animation. The version number can be distinguished from the first six bytes of a GIF file. Interpreted as ASCII symbols, they are “GIF87a” or “GIF89a”.

GNU 项目由 Richard Stallman 在 1983 年建立，其目标是建立一个完整的自由操作系统。它往往是因 GNU 通用公共许可证 (GPL) 以及 GNU/Linux 而被周知。

The name came about from the naming conventions which were in practice at MIT, where Stallman worked at the time. For programs which were similar to other programs, recursive acronyms were chosen as names. Since the new system was to be based on the widespread operating system, Unix, Stallman looked for that kind of name and came up with GNU, which stands for “GNU is not Unix”. In order to avoid confusion, the name should be pronounced with the “G”, not like “new”. There were several reasons for making GNU Unix-compatible. For one thing, Stallman was convinced that most companies would refuse a completely new operating system, if the programs they used wouldn't run on it. In addition, the architecture of Unix made quick, easy and distributed development possible, since Unix consists of many small programs that can be developed independently of each other, for the most part. Also, many parts of a Unix system were freely available to anyone and could therefore be directly integrated into GNU, for example, the typesetting system, TeX, or the X Window System. The missing parts were newly written from the ground up.

GIMP 是一个 GNU 官方定义的程序 [WKPD-GNU]。

HSV is a color model which has components for Hue (the color, such as blue or red), Saturation (how strong the color is) and Value (the brightness).

The RGB mode is very well suited to computer screens, but it doesn't let us describe what we see in everyday life; a light green, a pale pink, a dazzling red, etc. The HSV model takes these characteristics into account. HSV and RGB are not completely independent of each other. You can see that with the Color Picker tool; when you change a color in one of the color models, the other one also changes. Brave souls can read Grokking the GIMP, which explains their interrelationship.

A hex triplet is a way of encoding a color for a computer. The “#” symbol indicates that the numbers which follow it are encoded in hexadecimal. Each color is specified in two hexadecimal digits which make up a triplet (three pairs) of hexadecimal values in the form “#rrggbb”, where “rr” represents red, “gg” represents green and “bb” represents blue.

An image hose in GIMP is a special type of brush which consists of several images. For example, you could have a brush with footprints, which consists of two images, one for the left footprint and one for the right. While painting with this brush, a left footprint would appear first, then a right footprint, then a left one, etc. This type of brush is very powerful.

An image hose is also sometimes called an “image pipe” or “animated brush”. An image hose is indicated in the Brushes dialog by a small red triangle in the lower right corner of the brush's symbol.

For information concerning creating an image hose, please see the 第 8 节 “The GIH Dialog Box” and 第 7 节 “Adding New Brushes”.

Incremental mode is a paint mode where each brush stroke is drawn directly on the active layer. When it is set, each additional stroke of the brush increases the effect of the brush, up to the maximum opacity for the brush.

If incremental mode is not set, brush strokes are drawn on a canvas buffer, which is then combined with the active layer. The maximum effect of a brush is then determined by the opacity, and stroking with the brush repeatedly does not increase the effect beyond this limit.

The two images above were created using a brush with spacing set to 60 percent. The image on the left shows non-incremental painting and the image on the right shows the difference with incremental painting.

Incremental mode is a tool option that is shared by several brush tools, except those which have a “rate” control, which automatically implies an incremental effect. You can set it by checking the Incremental checkbox in the tool option dialog for the tool (Paintbrush, Pencil and Eraser).

Indexed color mode is a mode for encoding colors in an image where each pixel in the image is assigned an 8-bit color number. The color which corresponds to this number is then put in a table (the palette). Changing a color in the palette changes all the pixels which refer to this palette color. Although you can create images in Indexed Color mode and can transform images to it, it is, strictly speaking, not a color model.

See also the Indexed Palette section and the Convert Image to Indexed Colors command.

JPEG 是一种支持压缩和各种色深的文件格式。图像压缩级别是可调的，但是必须清楚：过高的压缩级别可能严重损害图像质量，因为 JPEG 是有损压缩的。

使用 JPEG 来创建网络图形，或者是保存那些不想用太多空间储存的图像。JPEG 适用于照片和计算机生成 (CGI) 的图像，但不适用于以下情况：

对于以上情况，其他诸如 GIF，PNG 或者 JBIG 可能远远优于 JPEG。

一般而言，JPEG 透明度是不可逆的。打开再保存一个 JPEG 文件将导致一次新的有损压缩。丢失的图像信息无法在后来补偿。

The Lab color space (also called the L*a*b* color space) is a color model developed in the beginning of the 1930s by the Commission Internationale d`Eclairage (CIE). It includes all the colors that the human eye can perceive. That contains the colors of the RGB and the CMYK color spaces, among others. In Lab, a color is indicated by three values: L, a and b. Here, the L stands for the luminance component — corresponding to the gray value — and a and b represent the red-green and blue-yellow parts of the color, respectively.

In contrast to RGB or CMYK, Lab is not dependent upon the various input and output devices. For that reason, it is used as an exchange format between devices. Lab is also the internal color model of PostScript Level II.

Marching ants is a term which describes the dotted line which surrounds a selection. The line is animated, so it looks as if little ants are running around behind each other.

The moiré effect (pronounce “Moa-ray”) is an unintended pattern which appears when a regular pattern of grids or lines interferes with another regular pattern placed over it. This can happen, for example, when you are scanning an image with a periodic structure (such as a checkered shirt or a half-toned image), scanning a digital image, taking a digital photograph of a periodic pattern, or even when silkscreening.

If you discover the problem in time, the best solution is to move the original image a little bit in the scanner or to change the camera angle slightly.

If you cannot re-create the image file, GIMP offers some filters which may help you with the problem. For more information, see the Despeckle and NL Filter (Non-Linear) filters.

A Parasite is additional data which may be written to an XCF file. A parasite is identified by a name, and can be thought of as an extension to the other information in an XCF file.

Parasites of an image component may be read by GIMP plug-ins. Plug-ins may also define their own parasite names, which are ignored by other plug-ins. Examples of parasites are comments, the save options for the TIFF, JPEG and PNG file formats, the gamma value the image was created with and EXIF data.

All of the functions which GIMP and its extensions make available are registered in the Procedure Database (PDB). Developers can look up useful programming information about these functions in the PDB by using the Procedure Browser.

PDF (Portable Document Format) is a file format which was developed by Adobe to address some of the deficiencies of PostScript. Most importantly, PDF files tend to be much smaller than equivalent PostScript files. As with PostScript, GIMP's support of the PDF format is through the free Ghostscript libraries.

PNG 是“便携式网络图形 (Portable Network Graphic)” 的所写。这种格式带来了许多优点和一些缺点：它是无损的但是文件体积比 JPEG 格式更大，但是它可以在您多次存储图像的时候不会丢失任何数据。它支持“真彩色”(数百万色彩)，索引图像(像 GIF 一样的256色) 和 256 级透明度 (GIF 仅支持两层)。

Created by Adobe, PostScript is a page description language mainly used by printers and other output devices. It's also an excellent way to distribute documents. GIMP does not support PostScript directly: it depends on a powerful free software program called Ghostscript.

The great power of PostScript is its ability to represent vector graphics—lines, curves, text, paths, etc.—in a resolution-independent way. PostScript is not very efficient, though, when it comes to representing pixel-based raster graphics. For this reason, PostScript is not a good format to use for saving images that are later going to be edited using GIMP or another graphics program.

PSD is Adobe Photoshop's native file format, and it is therefore comparable to XCF in complexity. GIMP's ability to handle PSD files is sophisticated but limited: some features of PSD files are not loaded, and only older versions of PSD are supported. Unfortunately, Adobe has now made the Photoshop Software Development Kit — which includes their file format specifications — proprietary, and only available to a limited set of developers approved by Adobe. This does not include the GIMP development team, and the lack of information makes it very difficult to maintain up-to-date support for PSD files.

PSD is Adobe Photoshop's native file format, and it is therefore comparable to XCF in complexity. GIMP's ability to handle PSD files is sophisticated but limited: some features of PSD files are not loaded, and only older versions of PSD are supported. Unfortunately, Adobe has now made the Photoshop Software Development Kit — which includes their file format specifications — proprietary, and only available to a limited set of developers approved by Adobe. This does not include the GIMP development team, and the lack of information makes it very difficult to maintain up-to-date support for PSD files.

Quantization is the process of reducing the color of a pixel into one of a number of fixed values by matching the color to the nearest color in the colormap. Actual pixel values may have far more precision than the discrete levels which can be displayed by a digital display. If the display range is too small, then abrupt changes in colors (false contours, or banding) may appear where the color intensity changes from one level to another. This is especially noticeable in Indexed images, which have 256 or fewer discrete colors.

One way to reduce quantization effects is to use Dithering. The operations in GIMP which perform dithering are the Blend tool (if you have enabled the dithering option) and the Convert to Indexed command. However, they only work on RGB images and not on Indexed images.

Rendering intents are ways of dealing with colors that are out-of- 色阶 colors present in the source space that the destination space is incapable of producing. There are four rendering intents defined by the ICC:

图 1061.  色彩叠加模型

RGB is a color model which has components for Red, Green and Blue. These colors are emitted by screen elements and not reflected as they are with paint. The resulting color is a combination of the three primary RGB colors, with different degrees of lightness. If you look closely at your television screen, whose pitch is less than that of a computer screen, you can see the red, green and blue elements lit with different intensities. The RGB color model is additive.

GIMP uses eight bits per channel for each primary color. That means there are 256 intensities (Values) available, resulting in 256×256×256 = 16,777,216 colors.

It is not obvious why a given combination of primary colors produces a particular color. Why, for instance, does 229R+205G+229B give a shade of pink? This depends upon the human eye and brain. There is no color in nature, only a continuous spectrum of wavelengths of light. There are three kinds of cones in the retina. The same wavelength of light acting upon the three types of cones stimulates each of them differently, and the mind has learned, after several million years of evolution, how to recognize a color from these differences.

It is easy to see that no light (0R+0G+0B) produces complete darkness, black, and that full light (255R+255G+255B) produces white. Equal intensity on all color channels produces a level of gray. That is why there can only be 256 gray levels in GIMP.

Mixing two Primary colors in RGB mode gives a Secondary color, that is, a color in the CMY model. Thus combining Red and Green gives Yellow, Green and Blue give Cyan, Blue and Red give Magenta. Don't confuse secondary colors with Complementary colors which are directly opposite a primary color in the chromatic circle:

图 1062. 色环

Mixing a primary color with its complementary color gives gray (a neutral color).

It is important to know what happens when you are dealing with colors in GIMP. The most important rule to remember is that decreasing the intensity of a primary color results in increasing the intensity of the complementary color (and vice versa). This is because when you decrease the value of a channel, for instance Green, you automatically increase the relative importance of the other two, here Red and Blue. The combination of these two channels gives the secondary color, Magenta, which is the complementary color of Green.

The Color Picker tool lets you find out the RGB values of a pixel and the hextriplet for the color.

Sample Merged is an option you can set when you use the Bucket Fill tool, the Color Picker tool and various selection tools. It is useful when you are working on an image with several layers and the active layer is either semi-transparent or has a Layer Mode which is not set to Normal. When you check the Sample Merged option, the color which is used for the operation is the composite color of all the visible layers. When the Sample Merged option is not checked, the color used is the color of the active layer itself.

SVG stands for Scalable Vector Graphics. It is a format for two-dimensional vector graphics, both static and animated. You can export GIMP paths to SVG and you can import SVG documents into GIMP from a vector graphic software. See [WKPD-SVG] for more details.

TGA (TARGA Image File) is a file format which supports 8, 16, 24 or 32 bits per pixel and optional RLE compression. It was originally developed by the Truevision company. “TGA” stands for Truevision Graphics Adapter and “TARGA” stands for Truevision Advanced Raster Graphics Adapter.

TIFF (Tagged Image File Format) is a file format which was developed primarily for scanned raster graphics for color separation. Six different encoding routines are supported, each with one of three different image modes: black and white, grayscale and color. Uncompressed TIFF images may be 1, 4, 8 or 24 bits per pixel. TIFF images compressed using the LZW algorithm may be 6, 8 or 24 bits per pixel. Besides Postscript format, TIFF is one of the most important formats for preliminary stages of printing. It is a high quality file format, which is perfect for images you want to import to other programs like FrameMaker or CorelDRAW.

A Tile is a part of an image which GIMP currently has open. In order to avoid having to store an entire image in memory at the same time, GIMP divides it into smaller pieces. A tile is usually a square of 64 x 64 pixels, although tiles at the edges of an image may be smaller than that.

At any time, a tile may be in main memory, in the tile cache in RAM, or on disk. Tiles which are currently being worked on are in main memory. Tiles which have been used recently are in RAM. When the tile cache in RAM is full, tiles which have been used least recently are written to disk. GIMP can retrieve the tiles from RAM or disk when they are needed.

Do not confuse these tiles with those in the Tile Filter

A Uniform Resource Identifier (URI) is a string of characters that serves to identify an abstract or a physical resource. URIs are used for the identification of resources in the Internet (such as web pages, miscellaneous files, calling up web services, and for receivers of e-mail) and they are especially used in the Worldwide Web.

URLs (Uniform Resource Locators) are one type of Uniform Resource Identifiers (URIs). URLs identify a resource by its primary access mechanism (commonly http or ftp) and the location of the resource in the computer network. The name of the URI scheme is therefore generally derived from the network protocol used for it. Examples of network protocols are http, ftp and mailto.

Since URLs are the first and most common kinds of URIs, the terms are often used synonymously.

This term often refers to the light intensity, the luminosity of a color. It varies from 0 (black) to 100 (full light).

XCF is a file format which is special because it is GIMP's native file format: that is, it was designed specifically to store all of the data that goes to make up a GIMP image. Because of this, XCF files may be quite complicated, and there are few programs other than GIMP that can read them.

When an image is stored as an XCF file, the file encodes nearly everything there is to know about the image: the pixel data for each of the layers, the current selection, additional channels if there are any, paths if there are any, and guides. The most important thing that is not saved in an XCF file is the undo history.

The pixel data in an XCF file is represented in a lossless compressed form: the image byte blocks are compressed using the lossless RLE algorithm. This means that no matter how many times you load and save an image using this format, not a single pixel or other image data is lost or modified because of this format. XCF files can become very large, however GIMP allows you to compress the files themselves, using either the gzip or bzip2 compression methods, both of which are fast, efficient, and freely available. Compressing an XCF file will often shrink it by a factor of 10 or more.

The GIMP developers have made a great effort to keep the XCF file format compatible across versions. If you create a file using GIMP 2.0, it ought to be possible to open the file in GIMP 1.2. However, some of the information in the file may not be usable: for example, GIMP 2.0 has a much more sophisticated way of handling text than GIMP 1.2, so a text layer from a GIMP 2.0 XCF file will appear as an ordinary image layer if the file is opened in GIMP 1.2.

YCbCr is a color model which was developed for the PAL television standard as a simple modification to the YUV color model. In the meantime, it has become the CCIR-601 standard for image and video recording. For example, it is used for JPEG pictures and MPEG videos, and therefore also on DVDs, video CDs and for most other widespread digital video standards. Note that a color model is still not a color space, since it doesn't determine which colors are actually meant by “red”, “green” and “blue”. For a color space, there must still be a reference to a specific absolute color value.

There are color models which do not express a color by the additive basic colors, red, green and blue (RGB), but by other properties, for example, the brightness-color model. Here, the criteria are the basic brightness of the colors (from black, through gray, to white), the colors with the largest portion (red, orange, yellow, green, blue, violet, or other pure colors that lie between them) and the saturation of the colors (“gaudy” to pale). This color model is based on the ability of the eye to recognize small differences in luminosity better than small color differences, and to recognize those better than small differences in saturation. That makes gray text written on a black background easy to read, but blue text on a red background very hard to read, even with the same basic brightness. Such color models are called brightness-color models.

The YCbCr model is a slight adaptation of such a brightness-color model. An RGB color value is divided into a basic brightness, Y, and two components, Cb and Cr, where Cb is a measurement of the deviation from gray in the blue direction, or if it is less than 0.5, in the direction of yellow. Cr is the corresponding measurement for the difference in the direction of red or turquoise. This representation uses the peculiarity of the eye of being especially sensitive to green light. That is why most of the information about the proportion of green is in the basic brightness, Y, an only the deviations for the red and blue portions need to be represented. The Y values have twice the resolution of the other two values, Cb and Cr, in most practical applications, such as on DVDs.

YUV is a color model which uses two components to represent the color information, luma (the strength of the light per area) and the chrominance, or proportion of color (chroma), where the chrominance again consists of two components. The development of the YUV color model also goes back to the development of color television (PAL), where ways were sought for transmitting the color information along with the black-and-white signal, in order to achieve backwards compatibility with old black and white televisions without having to increase the available transmission bandwidth. From the YUV color model of the analog television techiques, the YCrCb color model was developed, which is used for most kinds of digital image and video compression. Erroneously, the YUV color model is also often spoken about in those fields, although the YCbCr model is actually used. This often causes confusion.

For the calculation of the luma signals, the underlying RGB data is first adjusted with the gamma value of the output device, and an R'G'B' signal is obtained. The three individual components are added together with different weights, to form the brightness information, which also functions as the VBS signal (Video Baseband Signal, the black-and-white signal) for the old black and white televisions.

Y=R+G+B

The exact calculation is more complicated, however, since some aspects of the color perception of the human eye have to be taken into account. For example, green is perceived to be lighter than red, and this is perceived to be lighter than blue. Furthermore, in some systems gamma correction of the basic color is first performed.

The chrominance signals, and the color difference signals also, contain the color information. They are formed by the difference of blue minus luma or red minus luma.

U=B-Y

V=R-Y

From the three generated components, Y, U and V, the individual color proportions of the basic color can be calculated again later:

Y + U = Y + ( B - Y ) = Y - Y + B = B

Y + V = Y + ( R - Y ) = Y - Y + R = R

Y - B - R = ( R + G + B ) - B - R = G

Furthermore, because of the structure of the retina of the human eye, it turns out that the brightness information is perceived at a higher resolution than the color, so that many formats based on the YUV color model compress the chrominance to save bandwidth during transmission.

Gamma or gamma correction is a non-linear operation which is used to encode and decode luminance or color values in video or still image systems. It is used in many types of imaging systems to straighten out a curved signal-to-light or intensity-to-signal response. For example, the light emitted by a CRT is not linear with regard to its input voltage, and the voltage from an electric camera is not linear with regard to the intensity (power) of the light in the scene. Gamma encoding helps to map the data into a perceptually linear domain, so that the limited signal range (the limited number of bits in each RGB signal) is better optimized perceptually.

Gamma is used as an exponent (power) in the correction equation. Gamma compression (where gamma < 1) is used to encode linear luminance or RGB values into color signals or digital file values, and gamma expansion (where gamma > 1) is the decoding process, and usually occurs where the current-to-voltage function for a CRT is non-linear.

For PC video, images are encoded with a gamma of about 0.45 and decoded with a gamma of 2.2. For Mac systems, images are typically encoded with a gamma of about 0.55 and decoded with a gamma of 1.8. The sRGB color space standard used for most cameras, PCs and printers does not use a simple exponential equation, but has a decoding gamma value near 2.2 over much of its range.

In GIMP, gamma is an option used in the brush tab of the GIMPressionist filter and in the Flame filter. The display filters also include a Gamma filter. Also see the Levels Tool, where you can use the middle slider to change the gamma value.

出自自由在线计算机专业词典 (The Free Online Dictionary of Computing)(2001-03-13)：

A pixel is a single dot, or “picture element”, of an image. A rectangular image may be composed of thousands of pixels, each representing the color of the image at a given location. The value of a pixel typically consists of several Channels, such as the Red, Green and Blue components of its color, and sometimes its Alpha (transparency).

Bump mapping is a technique for displaying extremely detailed objects without increasing the geometrical complexity of the objects. It is especially used in 3-dimensional visualization programs. The trick is to put all the necessary information into a texture, with which shadowing is shown on the surface of the object.

Bump mapping is only one (very effective) way of simulating surface irregularities which are not actually contained in the geometry of the model.

剪贴板是用于在应用程序活文档间传递数据的一块临时内存区域。当您在 GIMP 中剪切、复制或者粘贴数据时，您便用到了它。

不同操作系统上剪贴板的实现有些许的不同。在 Linux/XFree 环境下，GIMP 使用 XFree 剪贴板处理文本，使用 GIMP 内部图像剪贴板在图像间传递数据。在其他操作系统中，剪贴板的工作方式可能多少有些不同。请查看 GIMP 文档以了件关于您使用的操作系统环境中的更多信息。

剪贴板所提供的基本操作是 “剪切”、“复制”和“粘贴”。剪切是指从文档中移除目标项目并将其复制到剪贴板，复制则把目标项目保留在原位同时复制到剪贴板，粘贴则是把剪贴版的内容复制到文档中。GIMP 会根据目标位置智能选择粘贴内容。如果目标是一个画布，粘贴操作将使用图像剪贴板，如果目标是一个文本输入框，则使用文本剪贴板。

You can think of layers as being a stack of slides which are more or less transparent. Each layer represents an aspect of the image and the image is the sum of all of these aspects. The layer at the bottom of the stack is the background layer. The layers above it are the components of the foreground.

You can view and manage the layers of the image through the Layers dialog.

图 1060. 带图层图像样例

分图层表示的一幅图像

最终图像

Dithering is a technique used in computer graphics to create the illusion of more colors when displaying an image which has a low color depth. In a dithered image, the missing colors are reproduced by a certain arrangement of pixels in the available colors. The human eye perceives this as a mixture of the individual colors.

The Gradient tool uses dithering. You may also choose to use dithering when you convert an image to Indexed format. If you are working on an image with indexed colors, some tools (such as the pattern fill tool) may also use dithering, if the correct color is not available in the colormap.

The Newsprint filter uses dithering as well. You can use the NL Filter (Non Linear filter) to remove unwanted dithering noise from your image.

Also note that although GIMP itself uses 24-bit colors, your system may not actually be able to display that many colors. If it doesn't, then the software in between GIMP and your system may also dither colors while displaying them.

See also the glossary entry on Floyd-Steinberg dithering, which is used in GIMP.

Antialiasing is the process of reversing an alias, that is, reducing the “jaggies”. Antialiasing produces smoother curves by adjusting the boundary between the background and the pixel region that is being antialiased. Generally, pixel intensities or opacities are changed so that a smoother transition to the background is achieved. With selections, the opacity of the edge of the selection is appropriately reduced.

Guides are lines you can temporarily display on an image while you are working on it. You can display as many guides as you would like, in either the horizontal or the vertical direction. These lines help you position a selection or a layer on the image. They do not appear when the image is printed.

For more information see 第 2.2 节 “Guides”.

可选的 GIMP 扩展。插件是一些在 GIMP 主程序控制下运行的提供目标功能的外部程序，查看第 1 节 “插件”以获得更多信息。

Interpolation means calculating intermediate values. When you enlarge (“digitally zoom”) or otherwise transform (rotate, shear or give perspective to) a digital image, interpolation procedures are used to compute the colors of the pixels in the transformed image. GIMP offers three interpolation methods, which differ in quality and speed. In general, the better the quality, the more time the interpolation takes (see Interpolation methods).

GIMP uses interpolation when you Scale an image, Scale a layer, and when you Transform an image.

A file format or file type is the form in which computer data is stored. Since a file is stored by an operating system as a linear series of bytes, which cannot describe many kinds of real data in an obvious way, conventions have been developed for interpreting the information as representations of complex data. All of the conventions for a particular “kind” of file constitute a file format.

Some typical file formats for saving images are JPEG, TIFF, PNG and GIF. The best file format for saving an image depends upon how the image is intended to be used. For example, if the image is intended for the internet, file size is a very important factor, and if the image is intended to be printed, high resolution and quality have greater significance. See Format types.

A floating selection (sometimes called a “floating layer”) is a type of temporary layer which is similar in function to a normal layer, except that a floating selection must be anchored before you can resume working on any other layers in the image.

In early versions of GIMP, when GIMP did not use layers, floating selections were used for performing operations on a limited part of an image (you can do that more easily now with layers). Now floating selections have no practical use, but you must know what you have to do with them.

Grayscale is a mode for encoding the colors of an image which contains only black, white and shades of gray.

When you create a new image, you can choose to create it in Grayscale mode (which you can colorize later, by changing it to RGB mode). You can also change an existing image to grayscale by using the Grayscale, Desaturate, Decompose, Channel Mixer, although not all formats will accept these changes. Although you can create images in Grayscale mode and convert images to it, it is not a color model, in the true sense of the word.

As explained in RGB mode, 24-bit GIMP images can have up to 256 levels of gray. If you change from Grayscale to RGB mode, your image will have an RGB structure with three color channels, but of course, it will still be gray.

Grayscale image files (8-bit) are smaller than RGB files.

In digital image processing, a histogram is a graph representing the statistical frequency of the gray values or the color values in an image. The histogram of an image tells you about the occurrence of gray values or color values, as well as the contrast range and the brightness of the image. In a color image, you can create one histogram with information about all possible colors, or three histograms for the individual color channels. The latter makes the most sense, since most procedures are based on grayscale images and therefore further processing is immediately possible.

The process of Feathering makes a smooth transition between a region and the background by softly blending the edges of the region.

In GIMP, you can feather the edges of a selection. Brushes can also have feathered edges.

A color model is a way of describing and specifying a color. The term is often used loosely to refer to both a color space system and the color space on which it is based.

A color space is a set of colors which can be displayed or recognized by an input or output device (such as a scanner, monitor, printer, etc.). The colors of a color space are specified as values in a color space system, which is a coordinate system in which the individual colors are described by coordinate values on various axes. Because of the structure of the human eye, there are three axes in color spaces which are intended for human observers. The practical application of that is that colors are specified with three components (with a few exceptions). There are about 30 to 40 color space systems in use. Some important examples are:

Color depth is simply the number of bits used to represent a color (bits per pixel : bpp). There are 3 channels for a pixel (for Red, Green and Blue). GIMP can support 8 bits per channel, referred as eight-bit color. So, GIMP color depth is 8 * 3 = 24, which allows 256 * 256 * 256 = 16,777,216 possible colors (8 bits allow 256 colors).

In color reproduction, including computer graphics and photography, the gamut, or color gamut (pronounced /ˈgæmət/), is a certain complete subset of colors. The most common usage refers to the subset of colors which can be accurately represented in a given circumstance, such as within a given color space or by a certain output device. Another sense, less frequently used but not less correct, refers to the complete set of colors found within an image at a given time. In this context, digitizing a photograph, converting a digitized image to a different color space, or outputting it to a given medium using a certain output device generally alters its gamut, in the sense that some of the colors in the original are lost in the process. [WKPD-GAMUT]

A mask is like a veil put over a layer (layer mask) or all the layers of an image (selection mask). You can remove this mask by painting with white color, and you can complete it by painting with black color. When the mask is “applied”, non masked pixels will remain visible (the others will be transparent) or will be selected, according to the type of mask.

There are two types of masks:

Supersampling is a more sophisticated antialiasing technique, that is, a method of reducing jagged and stair-stepped edges along a slanted or curved line. Samples are taken at several locations within each pixel, not just at the center, and an average color is calculated. This is done by rendering the image at a much higher resolution than the one being displayed and then shrinking it to the desired size, using the extra pixels for calculation. The result is a smoother transition from one line of pixels to another along the edges of objects.

The quality of the result depends on the number of samples. Supersampling is often performed at a range of 2× to 16× the original size. It greatly increases the amount of time needed to draw the image and also the amount of space needed to store the image in memory.

One way to reduce the space and time requirement is to use Adaptive Supersampling. This method takes advantage of the fact that very few pixels are actually on an object boundary, so only those pixels need to be supersampled. At first, only a few samples are taken within a pixel. If the colors are very similar to each other, only those samples are used to calculate the final color. If not, more samples are used. This means that the higher number of samples is calculated only where necessary, which improves performance.

A Path is a contour composed of straight lines, curves, or both. In GIMP, it is used to form the boundary of a selection, or to be stroked to create visible marks on an image. Unless a path is stroked, it is not visible when the image is printed and it is not saved when the image is written to a file (unless you use XCF format).

See the Paths Concepts and Using Paths sections for basic information on paths, and the Path Tool section for information on how to create and edit paths. You can manage the paths in your image with the Paths dialog.

A Channel is a single component of a pixel's color. For a colored pixel in GIMP, these components are usually Red, Green, Blue and sometimes transparency (Alpha). For a Grayscale image, they are Gray and Alpha and for an Indexed color image, they are Indexed and Alpha.

The entire rectangular array of any one of the color components for all of the pixels in an image is also referred to as a Channel. You can see these color channels with the Channels dialog.

When the image is displayed, GIMP puts these components together to form the pixel colors for the screen, printer, or other output device. Some output devices may use different channels from Red, Green and Blue. If they do, GIMP's channels are converted into the appropriate ones for the device when the image is displayed.

Channels can be useful when you are working on an image which needs adjustment in one particular color. For example, if you want to remove “red eye” from a photograph, you might work on the Red channel.

You can look at channels as masks which allow or restrict the output of the color that the channel represents. By using Filters on the channel information, you can create many varied and subtle effects on an image. A simple example of using a Filter on the color channels is the Channel Mixer filter.

In addition to these channels, GIMP also allows you to create other channels (or more correctly, Channel Masks), which are displayed in the lower part of the Channels dialog. You can convert a selection to a channel mask by using the Save to Channel command. You can also create a channel by right-clicking in the Channels dialog and using the New channel command. See the glossary entry on Masks for more information about Channel Masks.

A channel masks is a special type of mask which determines the transparency of a selection. See 蒙版 for a detailed description.

This term refers to color purity. Imagine you add pigment to white paint. Saturation varies from 0 (white, fully toned down, fully diluted) to 100 (pure color).