The Threshold filter transforms the current layer or the selection into a black and white image, where white pixels represent the pixels of the image where the value for the chosen Channel is in the threshold range, and black pixels represent pixels with a value outside the threshold range.
You can use it to enhance a black and white image (scanned text for example) or to create selection masks.
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As this filter creates a black and white image, the anti-aliasing of the original image disappears. If this poses a problem, use the Levels tool instead. |
There are different possibilities to activate this:
You can access it from the image menu through
→ ,or by clicking the icon in the Toolbox if Threshold has been enabled as a tool (which is disabled by default). For this, please refer to Section 1.13, « Boîte à outils ».
« Presets » are a common feature for several Colors commands. You can find its description in Section 8.1.1, « Fonctions communes aux couleurs ».
This allows you to select which channel(s) will be used to apply the Threshold. The default is Value, which will use all color channels, but you can also choose to use a single channel: Red, Green, Blue and Alpha (only available when the layer has an alpha channel), Luminance, or RGB.
These two buttons to the right of the Channel selection let you choose the type of histogram shown.
The Threshold tool provides a visual graph, a histogram, of the intensity value of the active layer or selection. You can set the threshold range either using the minimum and maximum input boxes, or by clicking and dragging on the graph. It allows you to select a part of the image with some intensity from a background with another intensity. Pixels inside the range are white, and the others are black. Adjust the range to get the selection you want in white on black background. The
button can be used to automatically adjust the threshold.These are common features described in Section 8.1.1, « Fonctions communes aux couleurs ».
That's not always the case, but an element you want to extract from an image can stand out well against the background. In this case, you can use the Threshold tool to select this element as a whole. Grokking the GIMP described a method based on a channel mask, but now, using the Quick mask is easier.
First start decomposing your image into its RGB and HSV components by using the Decompose filter. A new grayscale image is created and the components are displayed as layers in the Layer dialog. These layers come with a thumbnail but it is too small for an easy study. You can, of course, increase the size of this preview with the dialog menu (the small triangular button), but playing with the « eyes » is more simple to display the wanted layer in the decompose image. Select the layer that isolates the element the best.
Appelez l’outil Seuil à partir de l’image décomposée. En déplaçant le curseur noir, adaptez le seuil pour isoler au mieux l’élément à extraire. Ce ne sera probablement pas parfait : nous améliorerons le résultat grâce au masque de sélection que nous allons créer.
Avertissement | |
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Assurez-vous d’avoir sélectionné le bon calque quand vous appelez l’outil Seuil : quand il est ouvert, vous ne pouvez plus changer de calque. |
Assurez-vous que l’image affichant les calque actif est active et copiez-la dans le presse-papier avec Ctrl+C.
Now, make the original image active. Click the « Quick mask » channel and change this color with the . Come back to the original image. Press Ctrl+V to paste the previously copied layer.
button at the bottom-left corner of the image window: the image gets covered with a red (default) translucent mask. This red color does not suit well to our image with much red: go to the Channel Dialog, activate theVoilà. Your selection mask is ready: you can improve the selection as usual. When the selection is ready, disable the Quick mask by clicking its button again : you will see the marching ants around the selection.
Nous sous sommes servis du Zoom pour travailler au niveau du pixel, du Lasso pour supprimer les zones indésirables, du crayon (pour ses limites nettes), de la peinture noire pour enlever des zones sélectionnées, de la peinture blanche pour ajouter des zones sélectionnées, particulièrement au niveau de la tige.